Heritage Cases

THIS IS THE ARCHIVE FOR SAHRIS 1.0


THIS SITE IS NOW AN ARCHIVE AND IS NOT SUITABLE FOR MAKING APPLICATIONS

Please be aware that no content and application creation or changes to information on this version of SAHRIS will be retained.

To make applications or utilise SAHRIS for the creation of information, please use the new site:

https://sahris.org.za

Changes to SAHRIS!

The South African Heritage Resources Information System (SAHRIS) has undergone a generational upgrade and restructure. These changes to the site include, but are not limited to:

  • A new & modernised look and layout
  • Improved site usage flows with respect to applications and content creation
  • Improved site performance and stability

Launch for the new version of SAHRIS occurred on Monday the 30th of October 2023.

The new site can be found here:

SAHRIS | SAHRIS

SAHRA Application Closure

Please note the following concerning applications submitted to the South African Heritage Resources Agency (SAHRA) during the December 2023 to January 2024 period.

The full notice is available here: Notice

Special Notice

Following comments received on the proposed Revised Schedule of Fees for applications made to the South African Heritage Resources Agency (SAHRA), made in terms of Section 25(2)(l) of the National Heritage Resources Act No. 25 of 1999 (NHRA) and published in the Government Gazette of 22 July 2022, SAHRA hereby publishes the final Revised Schedule of Fees for Applications made to SAHRA. Applications for provision of services submitted to the South African Heritage Resources Authority (SAHRA), in terms of the National Heritage Resources Act, No. 25 of 1999 (NHRA) must be accompanied by a payment of the appropriate fee, taking effect from 1 January 2023

Revised Schedule of Fees for Applications made to the South African Heritage Resources Agency (SAHRA)

South Africa exhibition, BMNH Makapan Pebble

CaseViews

CaseHeader

Status: 

HeritageAuthority(s): 

Case Type: 

ProposalDescription: 

South African archaeology preserves some of the earliest evidence for artistic thought and production anywhere in the world over three million years ago. Today, South African artists frequently work in a dialogue with the past, creating contemporary art that provides unique insights into South African history and identity. Project objectives 1. To produce the first major UK exhibition that uses art objects to tell a history of South Africa from the earliest artistic thought three million years ago to the contemporary art of today 2. To change the way visitors think about the dynamic, cosmopolitan, history of South Africa and the relationship between the past and contemporary art production. 3. To promote the historical and cultural significance of the South African objects, photographs, and archival material in the BM’s collections, the majority of which have never been exhibited before. 4. To reflect on the relationship between British and South African history. 5. To build and extend relationships with museums in South Africa. To this end, it is requested that Dart's "Pebble of many faces" from Makapansgat be put on display at the British Museum of Natural History

Expanded_Motivation: 

This exhibition will build on the British Museum’s outstanding South Africa collection and experience of exhibiting South African objects and telling South African histories (e.g. Social fabric: African textiles today, textiles of southern and eastern Africa (14 February-21 April 2013); South Africa Landscape: Kew at the British Museum (29 April - 10 October 2010); The Wealth of Africa (20 January - 26 June 2005); Impressions of Africa: money, medals and stamps (1 April 2010-6 February 2011); Voices of Southern Africa (14 November 2000 – 28 January 2001); Zulu Beadwork, BP Ethnography Showcase (29 October 1997 - 18 January 1998)). In addition, the British Museum has engaged with South African issues through the annual Mandela Day celebrations, the opening of the BP Auditorium by Nelson Mandela, and the International Training Programme (ITP), which has hosted six curators from South Africa (2006,07 and 08), four of whom then joined the ITP Cairo Conference in 2010. Furthermore, this exhibition will present a unique perspective on the history of South Africa through its focus on the development of art objects beginning with early humans and ending in the present day. Although other exhibitions including South African objects have taken place, these have tended to focus separately either on historical or contemporary material and have not combined both in an episodic, chronological fashion as proposed here. Furthermore, with regards to historical material, South African art objects have typically been exhibited within the larger geographic unit of southern Africa and have not been linked to recent national histories and contemporary issues. Examples of previous major exhibitions, outside of South Africa, that have included historic South African art objects include: The art of daily life: portable objects from southeast Africa, Cleveland Museum of Art (16 April 2011-26 February 2012); Ubuntu: arts et cultures d'Afrique du Sud/ Ubuntu: art and culture of South Africa, Mus e national des arts d Afri ue et d c anie, aris (2002); Austausch: Kunst aus dem südlichen Afrika um 1900/Exchange: art from Southern Africa around 1900. Museum für Völkerkunde, Wien (now Weltmuseum Wien). (1998). Africa: The Art of a Continent, Royal Academy, London (1995). The British Museum’s South Africa exhibition will also coincide with the opening of the Zeitz Museum of Contemporary African Art (MOCAA), Cape Town, South Africa, which will be the largest museum of African contemporary art in the world. Although the exhibition will celebrate the artistic accomplishments of South Africa, the location of the exhibition at the British Museum may be viewed critically by some South Africans due to the colonial relationship between Britain and South Africa. In terms of loans, the majority of objects in the exhibition (c. 2/3) will be from the British Museum’s collections. However, it will be necessary to loan star archaeological objects and contemporary art works from collections in South Africa. Regarding the archaeological objects, many of these are national treasures, which will need approval from the South African government to be loaned, a process which will require careful and early handling. The South Africa High Commission to the UK is aware of the exhibition and is highly supportive.

ApplicationDate: 

Tuesday, March 22, 2016 - 10:15

CaseID: 

9298

OtherReferences: 

ReferenceList: 

Images
Makapan Pebble
 
 

Search form